Scholarship
"Renee Royale's Landscapes of Matter: Photography and the End of the World,” liquid blackness: journal of aesthetics and black studies, Vol. 8, Issue 2 (October 2024)“From Post-Black to the Afropolitan: The Studio Museum’s ‘F-Shows’ and Discourses on Black Art” in The Routledge Companion to African Diaspora Art History, ed. Eddie Chambers (London: Routledge, 2024)“Art for Liberation’s Sake: The Activist Art of Gavin Jantjes,” post, the scholarly platform for the Museum of Modern Art’s Contemporary and Modern Art Perspectives (C-MAP) research initiative, October 2022Book Review of Delinda Collier, Media Primitivism: Technological Art in Africa (Duke University Press, 2020) for African Arts 55:3 (Autumn 2022)“Visuality and the Plantationocene: The Panoramas of Regina Agu” Panorama: Journal of the Association of Historians of American Art 8:1 (Spring 2022)“Lady of Silences: The Enigmatic Photo-Text Work of Zarina Bhimji,” British Art Studies 20 (July 2021)Book Review of Sarah Thomas, Witnessing Slavery: Art and Travel in the Age of Abolition (Yale University Press, 2019) for Slavery and Abolition 42:2 (May 2021)“Between Two Gulfs: Ecological Politics and Black Geographies in the Work of Regina Agu,” International Review of African American Art 29:4 (2020)Book Review of William Chapman Sharpe, Grasping Shadows: The Dark Side of Literature, Painting, Photography and Film (Oxford University Press, 2017) for caa reviews (August 14, 2019)“Visualizing Apartheid Abroad: Gavin Jantjes’s Screenprints of the 1970s,” Art Journal 76:3-4 (Winter 2017)“We Never Did Return: Migration, Materiality and Time in Penny Siopis’s Post-Apartheid Art,” Contemporaneity: Historical Presence in Visual Culture 4:1 (2015)