Young is a historian of postcolonial and contemporary art, and her research focuses primarily on African and African Diaspora artists and art histories. She is currently working on two book projects: a monograph on the South African-born, UK-based artist Gavin Jantjes, forthcoming with Duke University Press, and an meditation on art, material culture, and public history in Louisiana at the intersection of climate crisis and racial injustice. Her scholarship, at large, centers issues surrounding the intersection of art with questions of migration, environmentalism, and social justice from a variety of geographic and transnational perspectives.
Young has curated exhibitions across the United States, and has published writing about contemporary art in academic and critical platforms such as African Arts, Art Journal, Art Review, Artforum, Apollo International, Africanah.org, ART AFRICA Magazine, British Art Studies, The Brooklyn Rail, Burnaway, liquid blackness: journal of aesthetics and black studies, the International Review of African American Art, Panorama: Journal of the Society of Historians of American Art, and the Photoworks Annual. She has contributed as a lead author to numerous international exhibition catalogues, anthologies, and edited volumes.
In recent years, Young’s scholarship has received the support of grants, fellowships, and awards from organizations such as College Art Association, the New Foundation for Art History, the National Endowment for the Humanities, the American Philosophical Society, the Paul Mellon Centre for Studies in British Art, the New Orleans Center for the Gulf South at Tulane University, the Phi Kappa Phi Honors Society (LSU Chapter), and the Louisiana Board of Regents.
She has been a Contributing Editor of Global Modern and Contemporary Art for Smarthistory since 2015 and is currently Vice President of the Society of Contemporary Art Historians.
photo by trenity thomas, 2025