Allison K. Young



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Exhibition Catalogues and Anthologies




“Shades of Blue - Alia Ali’s INDIGO: Vision and Opacity” in ali ali . . . one of many (Hatje Cantz, 2025)
“A Reunion of Form” in Remy Jungerman: Tracing the Line (Amsterdam: Jap Sam Books, 2024)
Contributor to Vitamin Txt: Words in Contemporary Art (Phaidon, 2024)
“Echoes and Erasures: Zarina Bhimji’s Art of Traces” in Zarina Bhimji: Flagging It Up (Edinburgh: Fruitmarket Gallery, 2023)
“Resistance and Reclamation” in Nic[o] Brierre Aziz: I’d Rather Get Out of Jail Than Get $1,000,000 (New Orleans: Antenna, 2023)
Contributor to Great Women Painters (Phaidon, 2022)
“Shades of Blue - Alia Ali’s INDIGO: Vision and Opacity” in Alia Ali: Flux (Frankfurt: Galerie Peter Sillem, 2021)
Contributor to African Artists: 1882 to Now (Phaidon, 2021)
Contributor to Prospect.5 New Orleans: Yesterday we said tomorrow (New York: Rizzoli, 2021)
“THERE was Eden” in Elizabeth Chapin: Banishment of Solitude (New Orleans and Austin: Martine Chaisson Gallery and Cattywampus Press, 2021)
“To Say Without Saying: Abstraction and the Black Atlantic” in The Measurement of Presence: Iris Kensmil and Remy Jungerman, Netherlands Pavilion at the 2019 Venice Biennale (Hannibal Publishing, 2019)
Lina Iris Viktor: A Haven, A Hell, A Dream Deferred (New Orleans and Milan: New Orleans Museum of Art and Skira, 2019)
“Juliana Huxtable” in Out of Easy Reach (Chicago: University of Chicago Press, 2018)
“Reflecting on Place: A Conversation with Carlos Rolón” in Carlos Rolón: Outside/In (New Orleans: New Orleans Museum of Art, 2018)
“Myth Versus Reality: Robert Pruitt’s Visionary Afrofuturism” in Queen: From the Collection of CCH Pounder (New Orleans: Xavier University, 2018)
Contributor to Short Guide, All the World’s Futures, 56th Venice Biennale (Marsilo Editore, 2015)
Contributor to 75 in 25: Important Acquisitions at the Santa Barbara Museum of Art (Santa Barbara, 2015)